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In_K

New media artist Bi Zhenyu explores and creates digital interactive images under the moniker “In_K”. In_K’s ontological exploration of the medium of “technological art” continues in the context of “cybernetics” and “post-humanity”, and focuses on the meta-issue of “quantization/simulation” in thinking about the medium of “technological art”. The “digital field” constituted by the screen is as fascinating as the “natural field”, and In_K seeks for the “resonance” between quantitative and analog information, and presents it in a dialectical way. As a media artist, In_K also pays attention to and uses the material properties of “technological art”. His experience of programming with computers in the past ten years has made him realize that the intelligence emerging from the powerful computer media is fascinating, and that new technologies and technological materials are easy to be glamorized and give rise to excessive imaginations, and on the other hand, the algorithmic totalitarianism and bias of the computer media are obscuring the problems or generating new problems. On the other hand, the algorithmic totalitarianism and bias of the computer medium are obscuring problems or creating new ones.